Tonight October 28 2016 we will be performing our “Data Stethoscope” brain connectome data in Seattle- hope you can attend !! tonight at 7pm at the King Street Station, 3rd floor, Seattle. This in celebration of the 50th anniversary of Nine Evenings held in new york by EAT and Bell labs in 1966: http://www.fondation-langlois.org/html/e/selection.php?Selection=9EVO
The performing team includes artist/musicians Scot Gresham Lancaster, Tim Perkis, neuroscientist Gagan Wig and yours truly astrophysicist Roger Malina. The project includes also neuroscientists Micaela Chan and Neil Savalia, Art and Technology PhD student Veena Somareddy and the Make or Break gaming company, with Mike Leach and Robert Nally. A truly transdisciplinary, intergenerational, intercultural team !!!
We will be performing the fMRI brain connectome data sets for cohorts of 20, 40, 60, 80 year olds that Gagan’s team is developing to understand the way brain interconnections evolve with age and experience for healthy adults. The hope is of indentifying precursor anomalies that may lead to cognitive problems. The software has been developed with the use of data sonification to augment the data visualisation of the networks hence the title ‘data stethoscope”.
Scot Gresham Lancaster, Tim Perkis and Andrew Blanton will be performing three solos, with differing aesthetic approaches to the visualisation and sound. At the conclusion of the performance, Scot has designed a chess board interface in homage to John Cage and Marcel Duchamp, who in 1968 performed a celebrated game of chess that triggered sound and music that they titled Reunion
Scot has invited Gagan and I to be the chess performers for this chess performance of the brain connectome data in homage to John Cage and Marcel Duchamp, hence the meme John Duchamp and Marcel Cage !!. Just to underline the appropriateness of this device, I can’t but mention that the University of Texas at Dallas, https://www.utdallas.edu/chess/ , repeatedly wins national and international chess tournaments ( Special thanks go out to James Stalling of the UTD chess program). And international master, and ATEC student Zurabi Javakhadze, from Georgia http://creativedisturbance.org/people/zurabi-javakhadze/ is a member of our ArtSciLab and is currently launching a podcast channel on chess and technology on Creative Disturbance. I cant help but also mention that my father scientist-artist Frank Malina was an avid chess player and I grew up in a home where chess playing was often the social platform for art science technology discussions !
Scot Gresham Lancaster provides this personal recollection:
” Earlier in my career I had the opportunity to work closely with composer/performers John Cage and David Tudor. It was John Cage that connected me with Lowell Cross who designed the photoelectric enabled chess board that was an important part of the “Reunion” electro-acoustically enhanced chess match between Cage and Marcel Duchamp. I received the circuit for this chess board from Mr. Cross and built a working version of the board for a reenactment of the piece for a celebration of Cage’s work at a memorial concert at Mills College in Oakland,CA in 1998. This cemented my interest in using chess play as a source of indeterminacy as a Post-Cage style musical performance organizing principle.
Fast forward some years later and we are working with the Art/Science lab and the Center for Vital Longevity at UTD and discover that the university has a world class chess program with full scholarships and several World Grand Masters. That program also has a new generation of digital chess boards that can be used to digitally communicate the moves of a chess game in real time. The opportunity arose to use the Art part of our Art/Science collaboration presented itself with an invitation for us to participate in the 50th Anniversary of the historic Engineering Art and Technology (EAT) 9 evenings performance. This time in Seattle and entitled 9E2. This is a wonderful opportunity for us to show our work and dedication to really fully playing at the Art/Science boundary.
The Artists on the team are seasoned performers with decades of experience but the thought occurred to us that we could integrate the symbolic representation of brain activity, the chess game, as a way to get the scientists on the project directly involved in the performance itself. So while we are using a good part of the evening to directly create music using the tools we have been developing to research by visualizing and sonifying fMRI and EEG data in many different ways. Some of these techniques proved useful for the scientists, but all were created with an idea that they would be part of a human experience and therefore be crafted to bear some artistic interest. By the end of the evening the scientists themselves are driving the form of the visual and sonic interactions directly from the chess moves they are making. The symbolic meeting of the minds driving the multi sensory experience the audience is witnessing.
Special thanks go out to James Stalling of the UTD chess program, of course, the director of the two labs collaborating on this complex and fascinating project, Drs. Roger Malina and Gagan Wig and finally my artistic collaborators Andrew Blanton and Tim Perkis.”
Scot Gresham Lancaster
We are unbearable excited as we countdown for tonight’s performance ! and I must admit this art science collaboration is one of the most interesting and difficult projects I have been involved in – more difficult than most of the research projects in astrophysics that I have been involved in, for NASA or the European and French Space Agencis !! The goal of having an art-science collaboration develop both research software that will help Gagan’s team make scientific discoveries and also the artists perform compelling art is a sweet spot of art-science practice – we look forward to reactions !!
more details on Nine Evenings 2 below – we in particular thank John Boylan, Janeil Engelstadt, Sarah Kavage and Oliver Little for their inviting us to perform in the 9E2 they have produced:
9e2 is an art exhibition and performance series commemorating “9 Evenings: Theatre & Engineering,” an iconic exhibition 50 years ago in New York that sparked a new era of collaboration between artists, scientists, and engineers.
The original 9 Evenings was organized in 1966 by Robert Rauschenberg and Billy Klüver, and featured artists creating performances in collaboration with engineers from Bell Labs. Fifty years later, 9e2 embraces that same spirit of experimentation and collaboration with a new series of projects. Installations, nightly performances, and other events will explore the intersection of art, science, and technology.