Since its founding in 1967 Leonardo has published the work of over 5000 artists, scientists, engineers and scholars. This creative community can be thought of as the New Leonardos, individuals and groups working together to cross link the arts, sciences and technologies on the burning issues of our times.
This LEONARDO THINKS section posts the invited editorials and opinion pieces that have appeared in the Leonardo Publications. Regular updates appear on at the Leonardo Electronic Almanac.
If you would be interested in publishing an opinion piece or editorial please contact Leonardo Executive Editor at rmalina@alum.mit.edu
Visit http://www.leoalmanac.org/index.php/lea/browse/C52/ for the latest postings!
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Editorials
Volume 44 | 2011
Editorial: ArtScience:
Integrative Collaboration To Create a Sustainable Future
Bob Root-Bernstein <http://www.msu.edu/~rootbern>
Todd Siler <http://www.toddsilerart.com/>
Adam Brown <http://adamwbrown.net>
Kenneth Snelson <http://www.kennethsnelson.net/>
Volume 43 | 2010
Editorial: Fractals in Art, Science and Technology
Jacques Mandelbrojt , LEONARDO honorary Editor
October 16, 2010
Cultural Evolution
Ellen K. Levy
Leonardo October 2010, Vol. 43, No. 5: 420–420
http://www.mitpressjournals.org/doi/pdf/10.1162/LEON_e_00032
Arts | Humanities | Complex Networks
Maximilian Schich, Isabel Meirelles, Albert-László Barabási
Leonardo June 2010, Vol. 43, No. 3: 212–212
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2010.43.3.212
Endnote: Scientific Thought and Poetic Craft: Seeking New Imagery and Vision to Involve the American Scholar
Jared R.W. Smith
Leonardo June 2010, Vol. 43, No. 3: 318–321
[To Come]
Environment 2.0: Participatory Mass Observation
Drew Hemment
Leonardo April 2010, Vol. 43, No. 2: 104–104.
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2010.43.2.104
Endnote: The Six Elements: Visions of a Complex Universe
Sidney Perkowitz
Leonardo April 2010, Vol. 43, No. 2: 208–211
[To come]
A 21st-Century Pedagogical Plan for Artists: How Should We Be Training Artists for Today?
Jack Ox
Leonardo February 2010, Vol. 43, No. 1: 2–2
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2010.43.1.2
Volume 42 | 2009
An Information Sublime: Knowledge after The Postmodern Condition
Robert Pepperell
Leonardo October 2009, Vol. 42, No. 5: 384–384
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2009.42.5.384
Intimate Science and Hard Humanities
Roger F. Malina
Leonardo June 2009, Vol. 42, No. 3: 184–184
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2009.42.3.184
The Missing Link in Art-Science Discourse, or Art and the Social Sciences
Sundar Sarukkai
Leonardo April 2009, Vol. 42, No. 2: 106–106
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2009.42.2.106
The Future of Leonardo Depends on You!
Jeffrey Babcock
Leonardo February 2009, Vol. 42, No. 1: 2–2
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2009.42.1.2
Endnote: When Does Art Become Science and Science Art?
Y.A. Grillo
Leonardo February 2009, Vol. 42, No. 1: 103–104
[To come]
Volume 41 | 2008
An Artists and Scientists: Open and Hidden Connections
Giorgio Careri
Leonardo October 2008, Vol. 41, No. 5: 428–428
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2008.41.5.428
Endnote: The Other Side of Digital Art
Harry Rand
Leonardo October 2008, Vol. 41, No. 5: 543–547
[To Come]
The Space Option
Arthur Woods
Leonardo August 2008, Vol. 41, No. 4: 314–314
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2008.41.4.314
Cybernetic, Technoetic, Syncretic: The Prospect for Art
Roy Ascott
Leonardo June 2008, Vol. 41, No. 3: 204–204
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2008.41.3.204
Restoring the Continuum
Piero Scaruffi
Leonardo April 2008, Vol. 41, No. 2: 104–104
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2008.41.2.104
A Call for New Leonardos
Roger F. Malina
Leonardo February 2008, Vol. 41, No. 1: 2–2
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2008.41.1.2
Volume 40 | 2007
The Electroacoustic Music Studies Network
Marc Battier
Leonardo October 2007, Vol. 40, No. 5: 418–418
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2007.40.5.418
Research on and from within Creative Practice
Ernest Edmonds
Leonardo August 2007, Vol. 40, No. 4: 318–318
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2007.40.4.318
Celebrating the Art, Science and Technology Community
Amy Ione
Leonardo June 2007, Vol. 40, No. 3: 219–219
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2007.40.3.219
The Perception of Climate Change
Julien Knebusch
Leonardo April 2007, Vol. 40, No. 2: 113–113
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2007.40.2.113
A Disturbance in the Flow
Meredith Tromble McDonald
Leonardo February 2007, Vol. 40, No. 1: 1–1
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2007.40.1.1
Endnote: Vita Longa, Ars Longa: Aging, Longevity Extension Technology and the Arts
Stephen Wilson
Leonardo February 2007, Vol. 40, No. 1: 109–111
[To Come]
Volume 39 | 2006
The Global Artists’ Diaspora and the LambdaRail
Jack Ox
Leonardo October 2006, Vol. 39, No. 5: 389–389
http://www.mitpressjournals.org/doi/abs/10.1162/leon.2006.39.5.389
Disentangling the Seams
Greg Niemeyer
Leonardo August 2006, Vol. 39, No. 4: 281–281
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2006.39.4.281
The Encyclopedia of New Media Arts
Louise Poissant
Leonardo June 2006, Vol. 39, No. 3: 180–180
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2006.39.3.180
On the Verge of Avalanche
Wasim Maziak
Leonardo April 2006, Vol. 39, No. 2: 95–95
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2006.39.2.95
Volume 38 | 2005
Expanding the Mandate
Sheila Pinkel
Leonardo August 2005, Vol. 38, No. 4: 271–271
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2005.38.4.271
Artists and Scientists in Times of War: A Renewed Call for Papers
Michele Emmer, Roger F. Malina
Leonardo June 2005, Vol. 38, No. 3: 177–177
http://http://www.mitpressjournals.org/doi/pdf/10.1162/0024094054029001
Network, Exchange and Dialogue: Media Arts in the Asia Pacific
Julianne Pierce
Leonardo April 2005, Vol. 38, No. 2: 85–85
http://www.mitpressjournals.org/doi/pdf/10.1162/0024094053722363
The Tyranny of the Possible
Irina Aristarkhova
Leonardo February 2005, Vol. 38, No. 1: 1–1
http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2005.38.1.1
Volume 37 | 2004
Art and Design Cures for Society’s Growing Data Perceptual Blindness?
Julio Bermúdez
Leonardo October 2004, Vol. 37, No. 5: 357–357
http://www.mitpressjournals.org/doi/pdf/10.1162/0024094041956006
To the Stars, Silently
Douglas Vakoch
Leonardo August 2004, Vol. 37, No. 4: 265–265.
http://www.mitpressjournals.org/doi/pdf/10.1162/0024094041724535
Beauty in the Beast
Sundar Sarukkai
Leonardo June 2004, Vol. 37, No. 3: 175–176
http://www.mitpressjournals.org/doi/pdf/10.1162/0024094041139508
ArtScience: The Essential Connection
Robert Root-Bernstein
Leonardo April 2004, Vol. 37, No. 2: 93–94
http://www.mitpressjournals.org/doi/pdf/10.1162/0024094041139201
Renaming the Future
Michael Punt
Leonardo February 2004, Vol. 37, No. 1: 1–2
http://www.mitpressjournals.org/doi/pdf/10.1162/002409404772827950
Endnote: Viva Vivo! Living Art Is Dead
Leonardo February 2004, Vol. 37, No. 1: 91–92
[To Come]
Volume 36 | 2003
Editorial: Aesthetic Computing Manifesto
The Dagstuhl Aesthetic Computing Workshop
Leonardo Vol. 36, No. 4 (2003), p. 255
http://www.jstor.org/stable/1577310
Editorial: Art for the Solar Age
Jürgen Claus
Leonardo Vol. 36, No. 3 (2003), pp. 175-176
http://www.jstor.org/stable/1577357
Editorial: Something Has Doubled
István Hargittai
Leonardo Vol. 36, No. 2 (2003), pp. 95-96
http://www.jstor.org/stable/1577431
Editorial: In Memoriam: Gyorgy Kepes, 1906-2002
Otto Piene
Leonardo Vol. 36, No. 1 (2003), pp. 3-4
http://www.jstor.org/stable/1577270
Volume 35 | 2002
Endnote: Abstraction, Action Painting, Ready-Mades and All That
Jacques Mandelbrojt
Leonardo August 2002, Vol. 35, No. 4: 461–462.
[To Come]
Collaboration as Media
Joel A. Slayton
Leonardo June 2002, Vol. 35, No. 3: 231–232
http://www.mitpressjournals.org/doi/pdf/10.1162/002409402760105172
Endnote: Small Channels for Deep Europe (Almost a Sermon)
Andreas Broeckmann
Leonardo June 2002, Vol. 35, No. 3: 347–350
[To come]
Human Consciousness and the Postdigital Analogue
Michael Punt
Leonardo April 2002, Vol. 35, No. 2: 119–120
http://www.mitpressjournals.org/doi/pdf/10.1162/00240940252940441
Endnote: The Role of Artists and Scientists in Times of War
Matjusška Teja Krasšek
Leonardo April 2002, Vol. 35, No. 2: 228–230
[To Come]
Can Ideas and Words Be Useful?
Michele Emmer
Leonardo February 2002, Vol. 35, No. 1: 1–3
Endnote: A Response to William Mitchell on “The Death of Drawing”
Helen Levin
Leonardo February 2002, Vol. 35, No. 1: 117–118
http://www.jstor.org/stable/pdfplus/1577105.pdf
Volume 34 | 2001
Worlds to Come
Christiane Paul
Leonardo October 2001, Vol. 34, No. 5: 401–402
http://www.mitpressjournals.org/doi/pdf/10.1162/002409401753521502
The New Leonardos
Roger F. Malina
Leonardo August 2001, Vol. 34, No. 4: 293–294
http://www.mitpressjournals.org/doi/pdf/10.1162/00240940152549186
Endnote: The Multi-Track Evolution of Mind
Piero Scaruffi
Leonardo June 2001, Vol. 34, No. 3: 290–291
[To Come]
A Life Connecting Art and Science: The Connectivity of Lives, Makepeace Tsao (1918–2000)
Karen Tsao
Leonardo April 2001, Vol. 34, No. 2: 91–93
http://www.mitpressjournals.org/doi/pdf/10.1162/002409401750184618
Endnote: The Genome and Art: Finding Potential in Unlikely Places
Ellen K. Levy
Leonardo April 2001, Vol. 34, No. 2: 172–175
[To Come]
On The Need For More Rigorous Thinking About The Laws Of Form
Kirill Sokolov
Leonardo February 2001, Vol. 34, No. 1: 1–2
http://www.mitpressjournals.org/doi/pdf/10.1162/002409401300052389
Volume 33 | 2000
The New Artist and Leonardo
Sonia Landy Sheridan
Leonardo August 2000, Vol. 33, No. 4: 247–247
http://www.mitpressjournals.org/doi/pdf/10.1162/002409400552540
The Coming and Going of Images
Rudolf Arnheim
Leonardo June 2000, Vol. 33, No. 3: 167–168
http://www.mitpressjournals.org/doi/pdf/10.1162/002409400552405
Endnote: De Profundus: Adumbrative Reflections?
Richard Kade
Leonardo June 2000, Vol. 33, No. 3: 237–238
[To Come]
Only Bombs are Intelligent?
Michele Emmer
Leonardo April 2000, Vol. 33, No. 2: 83–84
http://www.mitpressjournals.org/doi/pdf/10.1162/002409400552252
Escape Velocity: A Review
Anthony Hill
Leonardo April 2000, Vol. 33, No. 2: 141–141
[To Come]
Ubiquitous Computing, and Time
Curtis E.A. Karnow
Leonardo February 2000, Vol. 33, No. 1: 1–2
http://www.mitpressjournals.org/doi/pdf/10.1162/002409400552108
Endnote: A Crisis in Contemporary Art?
Hervé Fischer
Leonardo February 2000, Vol. 33, No. 1: 75–77
[To Come]
Volume 32 | 1999
Editorial: Intersenses
Jacques Mandelbrojt
Leonardo, Vol. 32, No. 1 (1999), pp. 1-4
http://www.jstor.org/stable/1576618
Endnote: The House as a Place to Share
Gianni Romano
Leonardo, Vol. 32, No. 2 (1999), pp. 149-151
http://www.jstor.org/stable/1576708
Endnote: The Next Computer Art
Gary R. Greenfield
Leonardo, Vol. 32, No. 4 (1999), pp. 339-343
http://www.jstor.org/stable/1576746
Volume 31 | 1998
Editorial: Live from Mars
Eduardo Kac
Leonardo, Vol. 31, No. 1 (1998), pp. 1-2
http://www.jstor.org/stable/1576538
Editorial: The Planetary Collegium: Towards the Radical Reconstruction of Art Education
Roy Ascott
Leonardo, Vol. 31, No. 2 (1998), pp. 87-88
http://www.jstor.org/stable/1576509
Editorial: Art in the Time of the Artificial
Frieder Nake
Leonardo, Vol. 31, No. 3 (1998), pp. 163-164
http://www.jstor.org/stable/1576563
Editorial: Why Not More Algorithmic Art?
John Lansdown
Leonardo, Vol. 31, No. 4 (1998), pp. 245-246
http://www.jstor.org/stable/1576654
Volume 30 | 1997
Editorial: “Leonardo”: Our Fourth Decade
Roger F. Malina
Leonardo, Vol. 30, No. 1 (1997), pp. 1-2
http://www.jstor.org/stable/1576367
Endnote: Déflagrant Délit
Pierre Alain Hubert
Leonardo, Vol. 30, No. 1 (1997), pp. 78-80
http://www.jstor.org/stable/1576393
Editorial: The Neutrino and the Sydney Opera House
David Topper
Leonardo, Vol. 30, No. 2 (1997), pp. 81-83
http://www.jstor.org/stable/1576415
Endnote: Something about Art
Paulina Borsook
Leonardo, Vol. 30, No. 2 (1997), pp. 164-166
http://www.jstor.org/stable/1576437
Editorial: Art and Biology
George Gessert
Leonardo, Vol. 30, No. 3 (1997), pp. 169-170
http://www.jstor.org/stable/1576440
Endnote: Art Criticism and the Death of Marxism
David Carrier
Leonardo, Vol. 30, No. 3 (1997), pp. 241-245
http://www.jstor.org/stable/1576464
Editorial: In Collaboration with Machines
Curtis E. A. Karnow
Leonardo, Vol. 30, No. 4 (1997), pp. 247-248
http://www.jstor.org/stable/1576467
Volume 29 | 1996
Editorial: A Fuller Bridge
István Hargittai
Leonardo, Vol. 29, No. 1 (1996), pp. 1-3
http://www.jstor.org/stable/1576268
Endnote: Against Official Contemporary Art, for an Art of the Present
Fred Forest
Leonardo, Vol. 29, No. 2 (1996), pp. 167-169
http://www.jstor.org/stable/1576364
Editorial: For Some Things, “You Just Had to Be There”: The Net and Art
Harry Rand
Leonardo, Vol. 29, No. 3 (1996), pp. 171-172
http://www.jstor.org/stable/1576241
Editorial: The Latest Developments in Media Art
Herbert W. Franke
Leonardo, Vol. 29, No. 4 (1996), pp. 253-254
http://www.jstor.org/stable/1576299
Volume 28 | 1995
Editorial: The Fourth World: The Promises and Dangers of the World Wide Web
Roger F. Malina
Leonardo, Vol. 28, No. 1 (1995), pp. 1-2
http://www.jstor.org/stable/1576145
Editorial: Art Is Long….
Ernst Gombrich
Leonardo, Vol. 28, No. 4 (1995), p. 237
http://www.jstor.org/stable/1576176
Endnote: Virtual Realities and the Future of the Arts
Ivan Dryer
Leonardo, Vol. 28, No. 4 (1995), pp. 346-347
http://www.jstor.org/stable/1576213
Volume 27 | 1994
Editorial: Shared Tools: Ways of Doing, Ways of Seeing, Ways of Knowing
Roger F. Malina
Leonardo, Vol. 27, No. 1 (1994), pp. 1-2
http://www.jstor.org/stable/1575935
Endnote: The Art of Mathematics, the Mathematics of Art
Howard Levine
Leonardo, Vol. 27, No. 1 (1994), pp. 87-89
http://www.jstor.org/stable/1575965
Introduction: Prometheus: Art, Science and Technology in the Former Soviet Union
Bulat M. Galeyev and Yevgeny Mikheyev
Leonardo, Vol. 27, No. 5, Prometheus: Art, Science and Technology in the Former Soviet Union: Special Issue (1994), pp. 367-370
http://www.jstor.org/stable/1576087
Volume 26 | 1993
Introduction: “Leonardo”: Looking to the Future
Roger F. Malina
Leonardo, Vol. 26, No. 1 (1993), p. 1
http://www.jstor.org/stable/1575770
Editorial: Intellectual versus Real Property Rights
Jack Ox
Leonardo, Vol. 26, No. 1 (1993), pp. 3-4
http://www.jstor.org/stable/1575771
Editorial: Visual Theory and “Leonardo”
David Carrier
Leonardo, Vol. 26, No. 2 (1993), pp. 93-94
http://www.jstor.org/stable/1575891
Editorials: A “Leonardo” Celebration
Roger F. Malina, Harry Rand, Roy Ascott, Yusuf A. Grillo, George A. Agoston, Richard I. Land, Sonia Landy Sheridan, Herbert W. Franke, Giorgio Careri, Anthony Hill, Elmer H. Duncan
Leonardo, Vol. 26, No. 3 (1993), pp. 175-183
http://www.jstor.org/stable/1575807
Editorials: 25th Anniversary “Leonardo” Celebration Series
Jürgen Claus, Jacques Mandelbrojt, David Rosenboom, Jorge Glusberg, Pierre Székely
Leonardo, Vol. 26, No. 4 (1993), pp. 271-275
http://www.jstor.org/stable/1575911
Introduction: Art and Social Consciousness
Sheila Pinkel
Leonardo, Vol. 26, No. 5, Art and Social Consciousness: Special Issue (1993), pp. 365-370
http://www.jstor.org/stable/1576030
Volume 25 | 1992
Editorial: The Cultural Dimension of Space Exploration
Roger F. Malina
Leonardo, Vol. 25, No. 1 (1992), pp. 1-2
http://www.jstor.org/stable/1575610
Editorial: The Millennium of the Arts
Jorge Glusberg
Leonardo, Vol. 25, No. 2 (1992), pp. 109-110
http://www.jstor.org/stable/1575696
Introduction: Visual Mathematics: A New Era?
Michele Emmer
Leonardo, Vol. 25, No. 3/4, Visual Mathematics: Special Double Issue (1992), pp. 235-237
http://www.jstor.org/stable/1575842
Editorial: A Partial View of a Three-Dimensional World
Nancy Gorglione
Leonardo, Vol. 25, No. 5, Archives of Holography: A Partial View of a Three- Dimensional World: Special Issue (1992), pp. 407-409
http://www.jstor.org/stable/1575744
Volume 24 | 1991
Editorial: Leonardo’s Unity of Artistic and Scientific Ideas
Aleksandra Mańczak and Adam Sumera
Leonardo, Vol. 24, No. 1 (1991), pp. 1-2
http://www.jstor.org/stable/1575459
Editorial: Connectivity: Art and Interactive Telecommunications
Roy Ascott
Leonardo, Vol. 24, No. 2, Connectivity: Art and Interactive Telecommunications (1991), pp. 115-117
http://www.jstor.org/stable/1575277
Editorial: Recovering the Wholeness of Art: Information versus Material Itsuo Sakane
Leonardo, Vol. 24, No. 3 (1991), pp. 259-261
http://www.jstor.org/stable/1575562
Editorial: Science and Technology and the Purpose of Art
Yusuf A. Grillo
Leonardo, Vol. 24, No. 5 (1991), pp. 503-504
http://www.jstor.org/stable/1575649
Volume 23 | 1990
Editorial: Sounds, Musics and “Leonardo”
Larry Polansky, Roger F. Malina, Elliot Mazer
Leonardo, Vol. 23, No. 1 (1990), pp. 1-2
http://www.jstor.org/stable/1578457
Editorial: Why New Foundations?
Sonia Landy Sheridan
Leonardo, Vol. 23, No. 2/3, New Foundations: Classroom Lessons in Art/Science/Technology for the 1990s (1990), pp. 165-167
http://www.jstor.org/stable/1578600
Editorial: Why Am I Symmetrical: Or Almost?
Pierre Székely
Leonardo, Vol. 23, No. 4 (1990), pp. 339-345
http://www.jstor.org/stable/1575331
Volume 22 | 1989
Editorial: Biology and Art
Péter Érdi
Leonardo, Vol. 22, No. 1, Art and the New Biology: Biological Forms and Patterns (1989), pp. 1-2
http://www.jstor.org/stable/1575130
From the Editorial Office: Evolution and Metamorphosis of “Leonardo”
Pamela Grant-Ryan
Leonardo, Vol. 22, No. 1, Art and the New Biology: Biological Forms and Patterns (1989), pp. 147-148
http://www.jstor.org/stable/1575177
Editorial: Art and Development
Yona Friedman
Leonardo, Vol. 22, No. 2 (1989), pp. 149-150
http://www.jstor.org/stable/1575220
Editorial: Holography: Of Art and Artists
Louis M. Brill
Leonardo, Vol. 22, No. 3/4, Holography as an Art Medium: Special Double Issue (1989), pp. 289-290
http://www.jstor.org/stable/1575380
Volume 21 | 1988
Editorial: Chinese Artists Work with Contemporary Science and Technology
Shao Dazhen
Leonardo, Vol. 21, No. 1 (1988), p. 1
http://www.jstor.org/stable/1578406
Editorial: Seeing and Making
Madhoor Kapur
Leonardo, Vol. 21, No. 1 (1988), pp. 1-2
http://www.jstor.org/stable/1578407
Editorial: Four Kinds of Time: Using Brush, Camera, Copier and Computer
Sonia Landy Sheridan
Leonardo, Vol. 21, No. 2 (1988), pp. 111-113
http://www.jstor.org/stable/1578544
Editorial: On Networking
Roy Ascott
Leonardo, Vol. 21, No. 3 (1988), pp. 231-232
http://www.jstor.org/stable/1578647
Editorial: The Arts and Science and Technology: Problems and Prospects
David Carrier
Leonardo, Vol. 21, No. 4 (1988), pp. 341-342
http://www.jstor.org/stable/1578694
Volume 20 | 1987
Editorial: Leonardo: The Third Decade
Pamela Grant-Ryan and Roger F. Malina
Leonardo, Vol. 20, No. 1 (1987), pp. 1-2
http://www.jstor.org/stable/1578202
Editorial: Visual Art, Sound, Music and Technology
Roger F. Malina
Leonardo, Vol. 20, No. 2, Special Issue: Visual Art, Sound, Music and Technology (1987), pp. 103-105
http://www.jstor.org/stable/1578323
Editorial: On Knowledge in Art and Science
L. Alcopley
Leonardo, Vol. 20, No. 3 (1987), pp. 213-215
http://www.jstor.org/stable/1578161
Editorial: Technoscience Art: The Next Step
Frank Popper
Leonardo, Vol. 20, No. 4, 20th Anniversary Special Issue: Art of the Future: The Future of Art (1987), pp. 301-303
http://www.jstor.org/stable/1578522
Volume 19 | 1986
Editorial: ”Leonardo”: Smorgasbord, Collage or Synthesis?
Roger F. Malina
Leonardo, Vol. 19, No. 1 (1986), pp. 1-2
http://www.jstor.org/stable/1578293
Editorial: To the Rescue of Art
Rudolf Arnheim
Leonardo, Vol. 19, No. 2 (1986), pp. 95-97
http://www.jstor.org/stable/1578269
Editorial: The Necessity for Synthetic Art Education
Sheila Pinkel
Leonardo, Vol. 19, No. 3 (1986), pp. 183-184
http://www.jstor.org/stable/1578234
Editorial: Art and Science in Search of Non-Visible Worlds
Giorgio Careri
Leonardo, Vol. 19, No. 4 (1986), p. 275
http://www.jstor.org/stable/1578369
Volume 18 | 1985
Editorial
Bryan Rogers
Leonardo, Vol. 18, No. 2 (1985), pp. 57-58
http://www.jstor.org/stable/1577871
Editorial
Bryan Rogers
Leonardo, Vol. 18, No. 3 (1985), pp. 131-132
http://www.jstor.org/stable/1578041
Jacob Bronowski: Editorial
Eric Roll
Leonardo, Vol. 18, No. 4, Special Issue: Jacob Bronowski: A Retrospective (1985), p. 215
http://www.jstor.org/stable/1578066
Volume 17 | 1984
Editorial: International Aspects of “Leonardo”
Makepeace Tsao, Roger F. Malina, Bryan Rogers
Leonardo, Vol. 17, No. 1 (1984), pp. 1-2
http://www.jstor.org/stable/1574847
Editorial: Industrial Research Artist: A Proposal
Stephen Wilson
Leonardo, Vol. 17, No. 2 (1984), pp. 69-70
http://www.jstor.org/stable/1574990
Editorial: The Format of Leonardo
Cynthia Rice
Leonardo, Vol. 17, No. 3 (1984), p. 143
http://www.jstor.org/stable/1575180
Volume 16 | 1983
“Leonardo”: A New Beginning
Leonardo, Vol. 16, No. 1 (Winter, 1983), pp. i-ii
http://www.jstor.org/stable/1575033
Editorial: The International Society for the Arts, Sciences and Technology (ISAST) Roger F. Malina
Leonardo, Vol. 16, No. 2 (Spring, 1983), pp. i-ii
http://www.jstor.org/stable/1574789
Editorial: Psychology and Art in “Leonardo”
Rudolf Arnheim and Karen Tsao
Leonardo, Vol. 16, No. 3, Special Issue: Psychology and the Arts (Summer, 1983), pp. 161-162
http://www.jstor.org/stable/1574904
Editorial: Economic Aspects of “Leonardo”
Bryan Rogers
Leonardo, Vol. 16, No. 4 (Autumn, 1983), pp. 257-258
http://www.jstor.org/stable/1574949
Volume 11 | 1978
“Leonardo”: The First Decade
Frank J. Malina
Leonardo, Vol. 11, No. 1 (Winter, 1978): 1-2
http://www.jstor.org/stable/1573495
Volume 1 | 1968
Aims and Scope of Leonardo: But et Portee de Leonardo
Frank J. Malina
Leonardo Vol. 1, No. 1 (Jan., 1968), pp. 1-2
http://www.jstor.org/stable/1571899
All editorials (c) ISAST