Roger Malina » digital art http://malina.diatrope.com Sun, 15 Jan 2012 15:47:37 +0000 en hourly 1 http://wordpress.org/?v=3.3.1 New Leonardo Thinks Postings http://malina.diatrope.com/2011/06/26/new-leonardo-thinks-postings-12/ http://malina.diatrope.com/2011/06/26/new-leonardo-thinks-postings-12/#comments Mon, 27 Jun 2011 05:44:56 +0000 Ione http://malina.diatrope.com/?p=1190 Contemporary Opinion by Sundar Sarukkai
Beauty in the Beast
Sundar Sarukkai asks: In this era of the growing presence of technology in art, a trend well exemplified by digital art, how do we find deeper terms of engagement between art and technology?

Historical Opinion by David Carrier
Visual Theory and “Leonardo”
David Carrier looks at what the journal Leonardo offers to those art historians with a renewed interest in visual theory discussions in 1993.

Historical Opinion by Jack Ox
Intellectual versus Real Property Rights
Jack Ox asks: How can living artists protect their rights to participate in a continuing intellectual dialogue through their artworks by participation in important and relevant exhibitions?

]]> http://malina.diatrope.com/2011/06/26/new-leonardo-thinks-postings-12/feed/ 0 Encounter (Resonances) by Hayley Hung and Christian Jacquemin http://malina.diatrope.com/2010/07/25/encounter-resonances-by-hayley-hung-and-christian-jacquemin/ http://malina.diatrope.com/2010/07/25/encounter-resonances-by-hayley-hung-and-christian-jacquemin/#comments Sun, 25 Jul 2010 17:35:45 +0000 admin http://malina.diatrope.com/?p=531 ABSTRACT
This work is about the remediation of one of Mark Rothko’s Seagram murals through the composition of several online sources and additional digital rendering. Based on reproductions of Rothko’s “Red on Maroon” found on the Internet, and using computer graphics compositing associated with moir´e and specular lighting effects, “Encounter (Resonances)” offers a new approach to the presentation of a piece of work that allows a viewer to perceive some of its very subtle nuances. The work echoes Rothko’s mixed media layered painting technique by using reproductions of various color palettes and resolutions as metaphors for the layers of paint in his original works. While each of these copies may instantly remind us of the original work, the graphical rendering of “Encounter (Resonances)” combines them at three levels of representation (global shape, micro and macro structure), in an effort to encourage a level of prolonged engagement and gradual discovery in the artwork.

Full paper

Posted with permission of the authors.

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