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	<title>Roger Malina &#187; Technology</title>
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		<title>Leonardo Thinks Posting</title>
		<link>http://malina.diatrope.com/2011/11/27/leonardo-thinks-posting-2/</link>
		<comments>http://malina.diatrope.com/2011/11/27/leonardo-thinks-posting-2/#comments</comments>
		<pubDate>Mon, 28 Nov 2011 06:44:27 +0000</pubDate>
		<dc:creator>Ione</dc:creator>
				<category><![CDATA[Art Science Radar]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[Leonardo/Arts Activities]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Jacques Mandelbrojt]]></category>
		<category><![CDATA[Leonardo]]></category>
		<category><![CDATA[Leonardo Electronic Almanac]]></category>
		<category><![CDATA[Leonardo Journal]]></category>
		<category><![CDATA[Leonardo Thinks]]></category>
		<category><![CDATA[Technology]]></category>

		<guid isPermaLink="false">http://malina.diatrope.com/?p=1485</guid>
		<description><![CDATA[Historical Opinion by Jacques Mandelbrojt Intersenses Jacques Mandelbrojt looks at the challenges and constraints an artist faces while using one work of art to produce a corresponding one in another medium can force the artist to expand his or her creative vocabulary.]]></description>
			<content:encoded><![CDATA[<p>Historical Opinion by Jacques Mandelbrojt<br />
<strong><a href="http://www.leoalmanac.org/index.php/lea/entry/intersenses/" title="Leonardo Thinks" target="_blank">Intersenses</a></strong></p>
<p>Jacques Mandelbrojt looks at the challenges and constraints an artist faces while using one work of art to produce a corresponding one in another medium can force the artist to expand his or her creative vocabulary.</p>
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		<title>Leonardo Thinks Posting</title>
		<link>http://malina.diatrope.com/2011/11/14/leonardo-thinks-posting/</link>
		<comments>http://malina.diatrope.com/2011/11/14/leonardo-thinks-posting/#comments</comments>
		<pubDate>Mon, 14 Nov 2011 23:59:20 +0000</pubDate>
		<dc:creator>Ione</dc:creator>
				<category><![CDATA[Art Science Radar]]></category>
		<category><![CDATA[Leonardo/Arts Activities]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Leonardo]]></category>
		<category><![CDATA[Leonardo Thinks]]></category>
		<category><![CDATA[Publishing]]></category>
		<category><![CDATA[Science]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Wired]]></category>

		<guid isPermaLink="false">http://malina.diatrope.com/?p=1460</guid>
		<description><![CDATA[Historical Opinion by Paulina Borsook Something about Art Paulina Borsook asks how and if written works created for the Internet differ from works created for print.  ]]></description>
			<content:encoded><![CDATA[<p>Historical Opinion by Paulina Borsook<br />
<a href="http://www.leoalmanac.org/index.php/lea/entry/something_about_art/">Something about Art</a><br />
Paulina Borsook asks how and if written works created for the Internet differ from works created for print.<br />
 </p>
]]></content:encoded>
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		<title>New Leonardo Thinks Posting</title>
		<link>http://malina.diatrope.com/2011/11/06/new-leonardo-thinks-posting-2/</link>
		<comments>http://malina.diatrope.com/2011/11/06/new-leonardo-thinks-posting-2/#comments</comments>
		<pubDate>Sun, 06 Nov 2011 23:41:00 +0000</pubDate>
		<dc:creator>Ione</dc:creator>
				<category><![CDATA[Art Science Radar]]></category>
		<category><![CDATA[Cognitive/Neuroscience and the Arts/Humanities]]></category>
		<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Computers]]></category>
		<category><![CDATA[Frieder Nake]]></category>
		<category><![CDATA[Leonardo]]></category>
		<category><![CDATA[Leonardo Thinks]]></category>
		<category><![CDATA[Science]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Virtual Reality]]></category>

		<guid isPermaLink="false">http://malina.diatrope.com/?p=1432</guid>
		<description><![CDATA[Historical Opinion by Frieder Nake Art in the Time of the Artificial Frieder Nake looks at how information and the computer have opened up the discourse on aesthetics, reality, and the nature of art.]]></description>
			<content:encoded><![CDATA[<p>Historical Opinion by Frieder Nake<br />
<a href="http://www.leoalmanac.org/index.php/lea/entry/art_in_the_time_of_the_artificial/">Art in the Time of the Artificial</a><br />
Frieder Nake looks at how information and the computer have opened up the discourse on aesthetics, reality, and the nature of art.</p>
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		<item>
		<title>New Leonardo Thinks Posting</title>
		<link>http://malina.diatrope.com/2011/10/24/new-leonardo-thinks-posting/</link>
		<comments>http://malina.diatrope.com/2011/10/24/new-leonardo-thinks-posting/#comments</comments>
		<pubDate>Mon, 24 Oct 2011 21:10:56 +0000</pubDate>
		<dc:creator>Ione</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Eduardo Kac]]></category>
		<category><![CDATA[Leonardo Electronic Almanac]]></category>
		<category><![CDATA[Leonardo Thinks]]></category>
		<category><![CDATA[Mars Pathfinder]]></category>
		<category><![CDATA[Science]]></category>
		<category><![CDATA[Space]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Virtual Reality]]></category>

		<guid isPermaLink="false">http://malina.diatrope.com/?p=1378</guid>
		<description><![CDATA[Live from Mars Historical Opinion by by Eduardo Kac Eduardo Kac reflects on the landing of the Mars Pathfinder spacecraft and how this event brought telepresence to the masses.]]></description>
			<content:encoded><![CDATA[<p><strong><strong><a title="Leonardo Thinks by Kac" href="http://www.leoalmanac.org/index.php/lea/entry/live_from_mars/">Live from Mars </a></strong></strong><br />
<strong>Historical Opinion by by Eduardo Kac</strong></p>
<p>Eduardo Kac reflects on the landing of the Mars Pathfinder spacecraft and how this event brought telepresence to the masses.<br />
<strong><br />
</strong></p>
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		<title>New Leonardo Thinks Postings</title>
		<link>http://malina.diatrope.com/2011/10/16/new-leonardo-thinks-postings-21/</link>
		<comments>http://malina.diatrope.com/2011/10/16/new-leonardo-thinks-postings-21/#comments</comments>
		<pubDate>Mon, 17 Oct 2011 02:50:25 +0000</pubDate>
		<dc:creator>Ione</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[Art Science Radar]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[bioart]]></category>
		<category><![CDATA[biological processes]]></category>
		<category><![CDATA[Copyright]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[ethics]]></category>
		<category><![CDATA[Genetic manipulation]]></category>
		<category><![CDATA[Laura Cinti and Curtis E. A. Karnow]]></category>
		<category><![CDATA[Leonardo]]></category>
		<category><![CDATA[Leonardo Thinks]]></category>
		<category><![CDATA[plants]]></category>
		<category><![CDATA[Science]]></category>
		<category><![CDATA[Technology]]></category>

		<guid isPermaLink="false">http://malina.diatrope.com/?p=1358</guid>
		<description><![CDATA[Contemporary Opinion by Laura Cinti The Sensorial Invisibility Of Plants: An Interdisciplinary Inquiry Through Bio Art And Plant Neurobiology Rather than reconcile the two understandings of plants discussed in the essay with a broader spectrum of experiences, my findings show that we return to the ‘Aristotelian’ position of plants. Although bio art as an ‘interaction’ [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Contemporary Opinion by Laura Cinti</strong><br />
<strong> <a href="http://www.leoalmanac.org/index.php/lea/entry/the_sensorial_invisibility_of_plants/"> The Sensorial Invisibility Of Plants: An Interdisciplinary Inquiry Through Bio Art And Plant Neurobiology</a></strong><br />
Rather than reconcile the two understandings of plants discussed in the essay with a broader spectrum of experiences, my findings show that we return to the ‘Aristotelian’ position of plants. Although bio art as an ‘interaction’ engages with the aliveness of the medium, genetic manipulation, ethics, biological processes and creation of subjects, it is nonetheless still caught in the ‘Aristotelian trap.’</p>
<p><strong>Historical Opinion by Curtis E. A. Karnow</strong><br />
<strong> <a href="http://www.leoalmanac.org/index.php/lea/entry/in_collaboration_with_machines/">In Collaboration with Machines</a></strong><br />
Curtis E. A. Karnow noted in 1997 that there are many responses to the way the computer impacts copyright laws. He concluded that it is up to us to push for and map out solutions that encourage creativity.</p>
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		<title>New Leonardo Thinks Postings</title>
		<link>http://malina.diatrope.com/2011/10/02/new-leonardo-thinks-postings-20/</link>
		<comments>http://malina.diatrope.com/2011/10/02/new-leonardo-thinks-postings-20/#comments</comments>
		<pubDate>Sun, 02 Oct 2011 22:04:26 +0000</pubDate>
		<dc:creator>Ione</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[Leonardo/Arts Activities]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[David Topper]]></category>
		<category><![CDATA[LEA]]></category>
		<category><![CDATA[Leonardo Electronic Almanac]]></category>
		<category><![CDATA[Leonardo Thinks]]></category>
		<category><![CDATA[Neurtrino]]></category>
		<category><![CDATA[Patricia Olynyk]]></category>
		<category><![CDATA[Science]]></category>
		<category><![CDATA[Sydney Opera House]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[Two Cultures]]></category>

		<guid isPermaLink="false">http://malina.diatrope.com/?p=1334</guid>
		<description><![CDATA[Contemporary Opinion by Patricia Olynyk Minding the Gap: Risk Capital and the Myth of Two Cultures Patricia Olynyk argues that if one accepts the premise of “one culture” – of a shared overall world view, then engaging risk capital in the academy could not only prompt a re-evaluation of our target investments but support the [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Contemporary Opinion by Patricia Olynyk<br />
<strong><a title="Leonardo Thinks" href="http://www.leoalmanac.org/index.php/lea/entry/minding_the_gap_risk_capital_and_the_myth_of_two_cultures/">Minding the Gap: Risk Capital and the Myth of Two Cultures</a></strong></strong></p>
<p><strong><strong></strong></strong>Patricia Olynyk argues that if one accepts the premise of “one culture” – of a shared overall world view, then engaging risk capital in the academy could not only prompt a re-evaluation of our target investments but support the most innovative, generative and experimental thinking, research and creative work emerging from the gaps between historically divided disciplines.</p>
<p>&nbsp;</p>
<p><strong>Historical Opinion by David Topper<br />
<strong><a title="Leonardo Thinks" href="http://www.leoalmanac.org/index.php/lea/entry/the_neutrino_and_the_sydney_opera_house/" target="_blank">The Neutrino and the Sydney Opera House</a></strong></strong></p>
<p><strong><strong></strong></strong>David Topper parallels the development of ideas about the neutrino and the Sydney Opera House, examining the idea that due to the constraints in all aspects of human thought there are similar patterns of thinking among theorists.<br />
<strong></strong></p>
<div><strong><br />
</strong></div>
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		<title>New Leonardo Thinks Postings</title>
		<link>http://malina.diatrope.com/2011/09/20/new-leonardo-thinks-postings-19/</link>
		<comments>http://malina.diatrope.com/2011/09/20/new-leonardo-thinks-postings-19/#comments</comments>
		<pubDate>Wed, 21 Sep 2011 02:04:12 +0000</pubDate>
		<dc:creator>Ione</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[Art Science Radar]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Criticism]]></category>
		<category><![CDATA[Art History]]></category>
		<category><![CDATA[Cultural History]]></category>
		<category><![CDATA[David Carrier]]></category>
		<category><![CDATA[Leonardo]]></category>
		<category><![CDATA[Leonardo Thinks]]></category>
		<category><![CDATA[Marxism]]></category>
		<category><![CDATA[Michele Emmer]]></category>
		<category><![CDATA[Science]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[War]]></category>

		<guid isPermaLink="false">http://malina.diatrope.com/?p=1301</guid>
		<description><![CDATA[Contemporary Opinion by Michele Emmer Can Ideas and Words Be Useful? Michele Emmer looks at how war and the international police action change names but do not change the reality that that “when a person is killed, all of humanity is killed.” Historical Opinion by David Carrier  Art Criticism and the Death of Marxism Looking [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Contemporary Opinion by Michele Emmer</strong><a href="http://www.leoalmanac.org/index.php/lea/entry/can_ideas_and_words_be_useful/"><br />
Can Ideas and Words Be Useful?</a><br />
Michele Emmer looks at how war and the international police action change names but do not change the reality that that “when a person is killed, all of humanity is killed.”</p>
<p><strong>Historical Opinion by David Carrier</strong><br />
<a href="http://www.leoalmanac.org/index.php/lea/entry/art_criticism_and_the_death_of_marxism/"> Art Criticism and the Death of Marxism</a><br />
Looking at art in relation to Marxism, David Carrier argues that as cultural historians look back, Marx’s work will come to seem to belong to a period style, to nineteenth century ways of thinking that tell us nothing about how to proceed in the present.</p>
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		<title>New Leonardo Thinks Postings</title>
		<link>http://malina.diatrope.com/2011/09/11/new-leonardo-thinks-postings-18/</link>
		<comments>http://malina.diatrope.com/2011/09/11/new-leonardo-thinks-postings-18/#comments</comments>
		<pubDate>Sun, 11 Sep 2011 21:02:28 +0000</pubDate>
		<dc:creator>Ione</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[Art Science Radar]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Collaboration]]></category>
		<category><![CDATA[Herbert W. Franke]]></category>
		<category><![CDATA[Joel Slayton]]></category>
		<category><![CDATA[LEA]]></category>
		<category><![CDATA[Leonardo]]></category>
		<category><![CDATA[Leonardo Almanac]]></category>
		<category><![CDATA[Leonardo Thinks]]></category>
		<category><![CDATA[Media Art]]></category>
		<category><![CDATA[Originals]]></category>
		<category><![CDATA[Science]]></category>
		<category><![CDATA[Technology]]></category>

		<guid isPermaLink="false">http://malina.diatrope.com/?p=1288</guid>
		<description><![CDATA[Historical Opinion by Herbert W. Franke The Latest Developments in Media Art Herbert W. Franke argues that the concepts of originals and “unique works” do not make sense in the age of media art. Contemporary Opinion by Joel Slayton Collaboration as Media Joel Slayton argues that the emphasis on collaboration has changed the cultural production [...]]]></description>
			<content:encoded><![CDATA[<div>
<div>
<p><strong>Historical Opinion by Herbert W. Franke</strong></p>
<p><strong><a title="Leonardo Thinks" href="http://www.leoalmanac.org/index.php/lea/entry/the_latest_developments_in_media_art/">The Latest Developments in Media Art<br />
</a></strong>Herbert W. Franke argues that the concepts of originals and “unique works” do not make sense in the age of media art.</p>
</div>
</div>
<div id="sample_content">
<p><strong>Contemporary Opinion by Joel Slayton</strong></p>
<p><strong><a title="Leonardo Thinks" href="http://www.leoalmanac.org/index.php/lea/entry/collaboration_as_media1/">Collaboration as Media<br />
</a></strong><span class="Apple-style-span" style="font-size: 13px; font-weight: normal;">Joel Slayton argues that the emphasis on collaboration has changed the cultural production and consumption of art forever.</span></p>
<p><strong><br />
</strong></p>
</div>
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		<title>New Leonardo Thinks Postings</title>
		<link>http://malina.diatrope.com/2011/07/31/new-leonardo-thinks-postings-17/</link>
		<comments>http://malina.diatrope.com/2011/07/31/new-leonardo-thinks-postings-17/#comments</comments>
		<pubDate>Mon, 01 Aug 2011 02:17:17 +0000</pubDate>
		<dc:creator>Ione</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[Art Science Radar]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[Leonardo/Arts Activities]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[DNA]]></category>
		<category><![CDATA[Erwin Chargaff]]></category>
		<category><![CDATA[Fred Forest]]></category>
		<category><![CDATA[István Hargittai]]></category>
		<category><![CDATA[LEA]]></category>
		<category><![CDATA[Leonardo Thinks]]></category>
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		<category><![CDATA[Technology]]></category>

		<guid isPermaLink="false">http://malina.diatrope.com/?p=1225</guid>
		<description><![CDATA[LEONARDO THINKS 1968 &#8211; 2011 Historical Opinion by Fred Forest Against Official Contemporary Art, for an Art of the Present Fred Forest argues that it remains for artists, confronted with the immense field opened for them by new technologies, to resist the seduction of facile effects. &#160; Contemporary Opinion by István Hargittai Something Has Doubled: [...]]]></description>
			<content:encoded><![CDATA[<p>LEONARDO THINKS 1968 &#8211; 2011</p>
<p><strong>Historical Opinion by Fred Forest</strong><a href="http://www.leoalmanac.org/index.php/lea/entry/against_official_contemporary_art_for_an_art_of_the_present/"><br />
Against Official Contemporary Art, for an Art of the Present</a><br />
Fred Forest argues that it remains for artists, confronted with the immense field opened for them by new technologies, to resist the seduction of facile effects.</p>
<p>&nbsp;</p>
<p><strong>Contemporary Opinion by István Hargittai</strong><br />
<a href="http://www.leoalmanac.org/index.php/lea/entry/something_has_doubled/">Something Has Doubled: In memoriam Erwin Chargaff (1905-2002)</a></p>
<p>István Hargittai offers a memoriam to Erwin Chargaff (1905-2002), who determined that, while the relative proportions of the different bases varied considerably in the DNA of different organisms, the relative amounts of the different bases followed strict regularities; between certain bases, there was a one-to-one correspondence.</p>
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		<title>New Leonardo Thinks Postings</title>
		<link>http://malina.diatrope.com/2011/07/10/new-leonardo-thinks-postings-14/</link>
		<comments>http://malina.diatrope.com/2011/07/10/new-leonardo-thinks-postings-14/#comments</comments>
		<pubDate>Mon, 11 Jul 2011 04:23:40 +0000</pubDate>
		<dc:creator>Ione</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[Art Science Radar]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[Leonardo/Arts Activities]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Art History]]></category>
		<category><![CDATA[Ernst Gombrich]]></category>
		<category><![CDATA[LEA]]></category>
		<category><![CDATA[Leonardo]]></category>
		<category><![CDATA[Leonardo Reviews]]></category>
		<category><![CDATA[Leonardo Thinks]]></category>
		<category><![CDATA[Michael Punt]]></category>
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		<guid isPermaLink="false">http://malina.diatrope.com/?p=1206</guid>
		<description><![CDATA[Contemporary Opinion by Michael Punt Renaming the Future Michael Punt looks at the history and the future of the Leonardo Reviews project. Historical Opinion by Ernst Gombrich  Art is Long… Ernest Gombrich argues that it takes time for a system of art conventions to crystallize and says we are more likely to achieve a new [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Contemporary Opinion by Michael Punt</strong><a href="http://www.leoalmanac.org/index.php/lea/entry/renaming_the_future/"><br />
Renaming the Future</a><br />
Michael Punt looks at the history and the future of the Leonardo Reviews project.</p>
<p><strong>Historical Opinion by Ernst Gombrich</strong><br />
<a href="http://www.leoalmanac.org/index.php/lea/entry/art_is_long/"> Art is Long…</a><br />
Ernest Gombrich argues that it takes time for a system of art conventions to crystallize and says we are more likely to achieve a new language of form when we are less obsessed with novelty and change.</p>
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